Debut of A Charlie Brown Christmas

Debut of A Charlie Brown Christmas

U.S. #5024 pictures a scene from A Charlie Brown Christmas.
US #5024 pictures a scene from A Charlie Brown Christmas.

On December 9, 1965, A Charlie Brown Christmas first aired on television.

Peanuts creator Charles Schulz had his first cartoon series published at the age of 25.  Entitled Li’l Folks, it featured a character named Charlie Brown. When the syndicate opted not to renew the strip, Schulz developed a new one, named Peanuts, which debuted on October 2, 1950, in seven newspapers.

U.S. #5021-30c was issued for the 50th anniversary of the special.
US #5021-30c – Imperforate stamps issued for the 50th anniversary of the special.

Schulz’ comic strip Peanuts had become a worldwide phenomenon by the mid-60s.  After the Peanuts gang was pictured on the cover of Time Magazine, Coca-Cola commissioned a Christmas special starring the characters.

A Charlie Brown Christmas was written and animated in just six months.  The script was simple, sparse, and heavily influenced by Schulz’ background.  Deeply religious, he wanted to focus on what he believed the “true meaning of Christmas” to be.  Schulz then added secular themes taken from his Minnesota childhood, including a school play, falling snow, and ice-skating.

U.S. #5021-30 FDC – Set of 10 A Charlie Brown Christmas First Day Covers.
US #5021-30 FDC – Set of 10 A Charlie Brown Christmas First Day Covers with Digital Color Postmark.

Professional child actors were only used for the voices of Charlie Brown and Linus.  Schulz convinced the producers to use regular children for the remaining characters.  Studio employees took tape recorders home and had their children audition for the part.  Gibberish was recorded for Snoopy and sped up to make his unique sound.  Schulz also resisted the use of a laugh track, which was widely used during the ‘60s.

Television producer Lee Mendelson was the driving force behind A Charlie Brown Christmas.  Composer and conductor Vince Guaraldi provided jazzy original songs, resulting in a fresh, up-tempo holiday sound unlike any before it.

Mendelson was a 32-year-old documentary maker whose first work was about Willie Mays.  Seeing a Peanuts comic strip about Charlie Brown’s baseball team, he decided he had “done the world’s greatest baseball player, now he should do the world’s worst…” Charles Schulz agreed, beginning a 30-year collaboration that resulted in over 40 animated Peanuts specials.

As he began production on A Charlie Brown Christmas, Mendelson approached Guaraldi to arrange the soundtrack.  Guaraldi wrote “Linus and Lucy” and “Christmas Time Is Here” for the special.  A choir of children, some chosen because they were slightly off-key, was selected to record the songs.  Sessions ran late into the night and ended with rewards of ice cream.

Gibraltar #894a was issued for Christmas 2001.

The soundtrack, described as being filled with “small, observant miracles,” is a piano-based jazz score which was unheard of in programming for children.  Combining an upbeat tempo with the loveable Peanuts characters introduced jazz music to an entire generation. Its charm has made it the tenth best-selling holiday album in history.

Work on A Charlie Brown Christmas was completed just 10 days before its scheduled premiere. Executives previewing the special thought it was terrible, one claiming, “My golly, we’ve killed it.”  But one animator deemed it “the best special… this show is going to run for a hundred years.”

Gibraltar #959 was issued for Christmas 2003.

A Charlie Brown Christmas premiered on December 9, 1965, at 7:30 p.m. It was watched by some 45 percent of the viewing audience that night – an estimated 15,490,000 homes. It was the number two show in the ratings that night, after Bonanza. In spite of the executives’ fears, it was very well received by viewers and critics alike. It was described as “delightfully novel and amusing” and “fascinating and haunting.” Another critic accurately predicted that “the Peanuts characters last night staked out a claim to a major television future.”

U.S. #3507 pictures Snoopy as a WWI ace fighting the Red Baron.
US #3507 pictures Snoopy as a WWI ace fighting the Red Baron.

Fresh and innovative, A Charlie Brown Christmas featured a number of entertainment “firsts.”  Together with its creator, the animated musical special also influenced the television industry, ushering in a host of changes.

A Charlie Brown Christmas was the first to use children to voice animated characters.  It also established the half-hour animated special as a holiday tradition, inspiring other classics like Frosty the Snowman and How the Grinch Stole Christmas.

U.S. #3507 FDC – 2001 Peanuts First Day Cover.
US #3507 FDC – 2001 Peanuts First Day Cover.

A Charlie Brown Christmas was also groundbreaking in its biblical references.  When executives tried to talk Schulz out of them, he replied, “If we don’t do it, who will?”  As it turned out, Linus’ recitation from the Gospel of Luke is considered one of the most powerful moments in the film.

A Charlie Brown Christmas went on to earn an Emmy and a Peabody Award and has become a holiday tradition for millions of Americans.

Item #M12183 – Germany sheet honoring the Peanuts issued in 2018.

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8 responses to "Debut of A Charlie Brown Christmas"

8 thoughts on “Debut of A Charlie Brown Christmas”

  1. A Charlie Brown Christmas is the best Christmas special that was ever created. It tells the story of what the Christmas season is meant to be without all the holiday commercialism.

  2. This special is what Christmas is all about, and I treasure the value system and social interactions of each one of the characters. Thank you Charlie Brown for keeping Christ in Christmas


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