Birth of Martín Ramírez

US #4968-72 were issued in 2015 for Ramírez’s 120th birthday.

Artist Martín Ramírez was born on January 30, 1895, in Rincón de Velázquez, Tepatitlán, Jalisco, Mexico.

Ramírez came to America in 1925 seeking a better life.  Instead he faced more hardship.  Jobs were difficult to find in California during the Great Depression, and being unable to speak English further reduced his chances of finding work. 

Ramirez worked on the railroads for five years, but was eventually unemployed.  When Ramírez was found homeless and did not speak, he was sent to a hospital.  Diagnosed as a schizophrenic, Ramírez became a lifelong resident of DeWitt State Hospital.  It was there he created art from discarded and improvised materials.

Ramírez used a number of unusual art supplies – fruit juice, shoe polish, junk mail, paper bags, and examining table paper.  To make a surface large enough for his drawings, he glued scraps of discarded paper together using mashed potatoes and saliva.  The collage of paper became not only the canvas for his work, but many times was incorporated into the design.  Advertisements from car companies and pictures cut from magazines became part of his art.  He improvised for additional supplies as well, crushing crayons in homemade pots to make paint.

The art that resulted from these primitive supplies was surprisingly skillful and intricate.  Ramírez showed the skill of a draftsman with his parallel lines and curves.  He repeated his patterns precisely on large-scale pieces.  Even though Ramírez spent most of his adult life in the United States, much of his work seems to reflect memories of Mexico.  He also frequently portrayed images of automobiles, highways, and trains, reminiscent of the industrialized nation he encountered upon moving to the US in 1925.  With recurring themes of religious symbols, burros, and trains, Ramírez’s paintings used perspective and patterns to make masterpieces of which only the artist himself knew the true meaning.

US #4968-72 – Fleetwood First Day Cover Set with Digital Color Postmark

Ramírez’s work may have been lost forever if it had not been for Tarmo Pasto.  A professor of psychology and art at Sacramento State College, Pasto visited DeWitt State Hospital to do research.  When Ramírez showed him some of his work, the professor recognized the artist’s extraordinary talent.

US #4968-72 – Fleetwood First Day Cover

Pasto saved about 300 pieces of Ramírez’s art in the following years.  He showed them to his classes and other professors.  Pasto soon began organizing solo shows for colleges in California, then at Syracuse University in New York.  The psychologist gave Ramírez real supplies, so he no longer had to improvise for paint and canvas.  In 1955, Pasto sent some drawings to the director of the Guggenheim Museum in New York, but no exhibition was ever scheduled.  Ramírez died on February 17, 1963.

US #4968-72 – Mint Sheet

Pasto saved Ramírez’s art, and in 1968, another teacher at Sacramento found his work in storage bins.  He and Pasto organized the first gallery exhibition of the artist’s work.  Then in 2007, Ramírez was the focus of a major retrospective at the American Folk Art Museum in New York City.  A critic for The New York Times once called Martín Ramírez “one of the greatest artists of the 20th century.”  Many of Ramírez’s originals are now privately owned, and when they do come up for sale they can command a hefty price – some well into the hundreds of thousands of dollars.

US #4968-72 – Colorano Silk Cachet First Day Cover Set.
US #4968-72 – Classic First Day Cover Set.

Click here to view some of Ramírez’s art.

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One Comment

  1. i had in my apt a printer but was convinced to get rid of it. it did not work?
    i do not [THERE FORE] have access or ability 2 print out your daily pages, which i think for the most part are really great. for philatelics and for learning HISTORY?
    ur note on plain sheets vs
    ur note on bordered sheets, is mind boggling. hope your researcher lives forever. ha. and may be produce 2 a day[?], one for domestic people, places or events & another for foreign items (?) stamps[?]!
    may be calm my mind about youngers, young’ns, who in the media lnow all about who in hollywood? entertainment – know who is living with who ? banging each other @ nite sharing beds, yet have no idea about common sense or things they should know about their work places. jobs?
    jay leno is off the air, many years now – but i remember his ?people asking people outside sensible questions. out standing in my memory was lady asked: Where Is Eiffel Tower, Response was:
    ‘In New York City?’
    please, give me a break!
    lady, you missed by 3,000 [3.0k] miles, maybe?
    God help us.
    thank you

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