Pictorial Series Introduced 

U.S. #112 satisfied the local rate plus the rate for unsealed circulars.

On March 19, 1869, the first U.S. Pictorial stamps were issued.

By early 1868, the then-current U.S. definitive stamps had been in use for over six years and their printing plates were quite worn. Additionally, the Post Office’s contract with the National Bank Note Company was set to expire in February 1869. So they requested bids for the contract to print new stamps and suggested that “there should be variety in the sizes as well as the designs of the stamps.”

U.S. #113 paid the local or drop letter rate and was also used on unsealed circulars.

While the previous issues had been produced either in pieces, or as a rushed response to the Civil War, it was suggested that this new series honor the history of the U.S. Post Office – “beginning with Franklin, the Continental postmaster and the post rider of the early days, followed by the locomotive of a later day and the Ocean Steamer carrying the mails… the most important scenes in the early history of the country, its triumphant arms, and Washington its first and Lincoln its last President.”

U.S. #114 satisfied the first class domestic letter rate and saw more use than any of the other Pictorial stamps.

The National Banknote Company ultimately won the contract and produced the stamps. The majority of the Pictorials were issued on March 19, 1869. Though they initially received some positive reviews, the press criticized them severely. National’s competitor – Butler, Carpenter – may have created some of this negativity. Though Butler, Carpenter had submitted a lower bid to produce the stamps, it’s believed that National may have won out because they had the rights to the grilling machines. Butler, Carpenter protested and criticized the stamps publicly, even threatening to launch a Congressional investigation.

U.S. #115 paid the double rate on U.S. domestic letters as well as the rate to Canada, Great Britain and other foreign countries.

The press also criticized the stamps, calling them “neither historical, national, beautiful… What is there in a big chimney on a railroad carriage to indicate the nationality of our postal system?” Other complaints included poor quality gum and jokes that the stamps were so small, people needed to use microscopes to find them in their pocket books.

U.S. #116 paid the rate to France, Germany and other foreign destinations.

In spite of the negative reaction, the 1869 Pictorials were historic. They were the first U.S. stamps to feature something other than the bust or head of a famous American leader. They were also the first bi-color stamps. Printing with two colors required the stamps to be run through the press twice; once, to print the vignette (center design), and then again, to print the frame. Carelessness in merging the two impressions resulted in the rare inverts. Instead of an inverted center, the stamp actually has an inverted frame, since the center design was printed first. The 30¢ Shield and Eagle with inverted flags is the rarest of the 1869 inverts. The least obvious of the three, it was the last to be discovered.

U.S. #117 was primarily used on mail sent to England when the rate was 12¢.

The 1869 Pictorials are also the only stamps that feature the “G” grill. In an effort to prevent the reuse of postage stamps, Charles F. Steele invented a device that “grilled” stamps. When the rollers were run over paper its fibers were broken, leaving a pattern on the paper. Different patterns of grills were used during stamp production and were later identified by a letter. The stamps in this series are the only ones with the “G” pattern on them.

The Pictorials were printed in limited numbers, but they were planned to be produced over a four-year period. Because of their unpopularity, they were removed from sale within a year.

U.S. #118

U.S. #119
The 15¢ denomination of US #118 and #119 primarily paid the rate to France and other European countries. It also satisfied the domestic registry fee. The difference between US #118 – the Type I stamp – and the Type II #119 is an additional line was cut in the frame around the vignette. US #118 is also more than 10 times scarcer than #119.
U.S. #120

US #120 paid multiple weight rates and was also used as a make up stamp. One of the finest examples of engraving, the center of the stamp is a miniature masterpiece. James Smillie engraved 42 persons, and the six principal figures can be recognized under a magnifying glass!

U.S. #121

The 30¢ Shield and Eagle Pictorial (US #121) was heavily criticized when it was issued. The frame of flags is printed in blue and the shield in red. The design was created so that the denomination – spelled out in red letters – flows over into the blue flag printing. Most of the Pictorial stamps had trouble with the registration of colors, and this is exaggerated on US #121 because of the oddly placed denomination.

U.S. #122

The 90¢ Lincoln is the only stamp of the series that didn’t result in inverts. Only one is known on cover – the legendary “Ice House” cover sent from Boston to Calcutta. The cover was stolen from a collector in 1967 and its whereabouts were unknown until 2006, when an unsuspecting elderly couple brought it to a Chicago-area stamp dealer.

Click here for a money-saving set of the first six Pictorials.

Click here to see what else happened on This Day in History.

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7 Comments

  1. Always nice to know the story behind the stamp. As long as there are newspapers, it will be a medium to complain or protest something. Our first and greatest President lived and dealt with it daily.

  2. OMG, time to break the piggy bank. Nice story about these stamps, explaining their unique historical role. If I can’t afford to have the stamps in my album, at least I’m more knowledgable about their significance.

  3. It would be nice to know the current value of the stamp being shown.
    It would be helpful foot collectors to know value.

    You could show the current date you are exhibiting the stamp. For example 2017 30.00 mint

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